Tag Archives: crowdfunding campaign

Give a Little, Get a Little (Wisdom)

The development of Assets for Artists over the last 5 years has coincided with the explosive growth of “crowdfunding” for artists. In our training sessions, we’ve introduced crowdfunding to many participants in the program, discussing its challenges and encouraging them to make use of web-based fundraising tools like Indiegogo and Kickstarter to tap into their own network of potential donors who stand ready to support their work. Of course, it’s one thing to talk about the wonders of crowdfunding, and another thing to actually do it.

Now we’ve taken our own medicine and have launched a campaign on Indiegogo for Assets for Artists. Please check it out (the video is a great intro to our work), and pitch in to support our exciting expansion.

Indiegogo Campaign Website

We’re still in the early going, about 12 days in on a 60 day campaign, and we’ve raised about 40% of our goal. Not bad, but we could really use more help. If you think we’re onto something with this program, please show your support with a donation and receive a “perk” from one or more of our artists in return, plus a tax deduction. We’re happy to accept gifts of any size. And please help spread the word.

So have we learned anything new about crowdfunding so far? Here are a few initial thoughts (lots of other people have said these things, but they bear repeating):

  • Take the amount of time and effort you expect to put into the campaign and triple it – that’s probably more realistic.
  • Remember that your campaign may be the first time that many people hear about your work. Even if your campaign goal only represents a relatively small amount of money, and even if 90% of your money will come from close friends and family members who would give no matter how your campaign website and video look, you still want your campaign to represent you at your best. Don’t bother with a crowdfunding campaign unless you’re prepared to make a truly solid video and tell your story with a lot of passion.
  •  Social media is your friend, but social media is not a person. The goal of crowdfunding is to found a community of supporters that will come together and believe in an idea, a project, an invention that you put forth. It’s like raising a barn; you may not know everyone who shows up to the party but if you ask you’ll find out how they got there. Having several friends who are hooked into the social media pipeline helps your campaign get exposure it might never have otherwise. Know who those tech savvy friends are and directly ask them to use their personal platform to help you.  Not only is it a sign of true friendship and support, but it helps nourish a spontaneous energy and shows emotional investment as well.
  • Momentum is key. Have some very close friends or family members lined up ready to make contributions right when your campaign goes live (if possible, gather them in a room and make them do it. This is about crowds, after all.) You’ll sleep better. If you go live and then send an email blast and put it on Facebook and expect the money to start rolling in right away, your campaign may look pretty lonely for a few days, which is not a good feeling. The truth is, other people are not nearly as excited about your campaign as you are. Even people you know will give eventually may have to be nudged a few times (or several times) before they give, and you may need to ask them in a very personal way. It’s not a fault of theirs. It’s just life. The kids need to be fed. There’s something good on TV. There are bills to pay. They’ll deal with your campaign request another time, or maybe they’ll just forget. If you’re not willing to ask multiple times and in multiple ways, including personal appeals, your campaign may not get far.

So we’re asking again: please give to Assets for Artists. If you’ve seen our emails and Facebook and Twitter posts and still haven’t given, we understand. But hopefully this will be the time that you have a few moments to spare and can make a donation, large or small. We’d appreciate the help.

Artist Spotlight: Daniel Bellow

Daniel Bellow is a sometimes writer and ceramicist living, exhibiting, and teaching in Berkshire County. Known for unique porcelain creations, Dan’s work is sold in Berkshire County, online, and in Anthropologie stores from L.A. to London. Daniel sits down with MASS MoCA intern Violet Lynch to chat about being a full-time potter, launching his own business, and the people who helped him get there.  Daniel is the one of four artists participating in this summer’s Berkshire-focused crowdfunding campaign spearheaded by Assets for Artists.


Spring Table Spread


VL: Your work is sold all over the place; it’s available online and you’ve said that your circle of galleries expands as far as Chicago. Wow!

DB: Everywhere is a big place, so I’m kind of a king of the Berkshires. But the Berkshires are a small place, and it’s difficult to make a living just being king of the Berkshires. So I need to be king of everywhere. That’s why I pursue wholesale deals that get me in to places where people will spend all day selling my pots, so that I can make more. That’s the whole idea: sell pots, make more. If you count all the Anthropologie stores I’m in, I go all the way from L.A. to London. I want to be in Tokyo.

It’s really worked out better than I ever dreamed it would, to be picked up by a national chain and to be online and selling… you know, I sent out five packages this morning and one of them went to Texas, one to Michigan, and three to Atlanta. So it’s really great to live in the Berkshires, I love living in the Berkshires, but you can’t make a living selling pottery just in the Berkshires.

Click here to read more of Dan’s interview!

Artist Spotlight: Gabrielle Senza


Gabrielle Senza is a multi-disciplinary artist, activist, and musician living and working in the Berkshires since 1985. She is recognized as one of the country’s top environmental artists, with work included in the collections of prestigious institutions such as the Whitney Museum of American Art and the Museum of Modern Art in New York. Gabrielle sits down with MASS MoCA intern Violet Lynch to discuss the evolution of her work as a Berkshire-based artist, as well as her efforts to raise awareness about the environmental and social issues closest to her heart. Gabrielle is the second of four artists to be interviewed in preparation for this summer’s Berkshire-focused crowdfunding campaign to be spearheaded by Assets for Artists.


Promessi Sposi


VL: Your body of work utilizes a variety of media to address social and environmental issues and to inspire change on a global level. What is it about the Berkshires that initially appealed to you?

GS: I came to the Berkshires kind of by accident. I was at a crossroads when I was about eighteen; I had come back from Europe and wasn’t really sure what I wanted to do. I knew that I didn’t want to go straight to college, so I decided to come to the Berkshires. I had a friend that was living here and I thought, “Okay, what the hell! Let’s see what happens!” I was heavily into writing but immediately got really involved in the visual arts as well,  doing a lot of custom decorative painting to pay the bills.  Eventually, I started doing my own work creating paintings and exploring what that path looked like for me.

Pretty early in my career, I got lucky and had my first show in New York; a solo show at OK Harris at the age of 23.  Before the break, I’d scoped out dozens of galleries in the city looking for the ones that were showing work that resonated with me.  I sent out a tiny batch of oversized postcards (they were like individual works of art) to ten galleries.  I got six positive responses and they were all really good galleries, so I was suddenly in a position where I had to choose!

Click here to read more of Gabrielle Senza’s interview!

Artist Spotlight: Laurie McLeod

Laurie McLeod is an award-winning internationally exhibited choreographer, filmmaker, and performance maverick based in the Berkshires. As she prepares for the publication of her first e-book Make it Happen in Ten Minutes a Day, Laurie (writing as Lorne Holden) sits down with MASS MoCA intern Violet Lynch to discuss both where she has been and where she is headed. Laurie is the first of four to be interviewed in preparation for this summer’s Berkshire-focused crowd funding campaign to be spearheaded by Assets for Artists.


Detail from Waterhaven #1 (Luo Yong’s Dream)

VL: You have both produced and exhibited work in a wide variety of settings across the world, but how did you come to settle in the Berkshires?

LM: I’ve actually had a home in the Berkshires for about thirty years, although I haven’t lived here the entire time. I come from a long background as a modern dancer and choreographer and there was a school here for body work. When I looked around I realized the area was a great fit for me, and I’ve used it as my home base ever since.


VL: How did you come to the realization that you were a creative person and that you wanted to turn your interest in being a maker into a career?

Waterhaven #3 (Photo by Keith Noguiera)

LM: My original creative avenue was as a writer, and that was my first big creative drive. Then somewhat by accident I started to dance in college and that became a real passion. In my 20’s, I went in to that sort of abyss of, well, what will that mean, how will I live, what exactly will happen there? And so I tried to step away from it and I did what I thought I was supposed to do.

I got a “proper” job in New York, working in a publishing company in a  high rise in Times Square. Particularly in the late afternoon I would stare out the window and realize that my friends were waitressing and dancing, and even though I was doing what I thought I was supposed to be doing, I knew that I envied them.

When I was 26,  I took the plunge and spent many years in dance, many years waiting tables. I spent five years as a dancer and choreographer in London, spent a year dancing for a French company, and at that point I was pretty much a goner in terms of being an artist; I really felt that I didn’t know how to live any other way.
Click here to read more of Laurie McLeod’s interview!